消费主义文化语境下《欢乐之家》叙事策略研究  

A Study of Narrative Strategy of The House of Mirth from the Perspective of Consumer Culture

作　　者：朱赫今 ZHU He-jin(School of Foreign Languages,Changchun University of Technology,Changchun 130012,China)

机构地区：[1]长春工业大学外国语学院,吉林长春130031

出　　处：《长春师范大学学报》2022年第3期109-112,共4页Journal of Changchun Normal University

基　　金：吉林省教育厅十三五社会科学项目“消费主义文化语境下伊迪丝•华顿‘纽约小说’叙事策略研究”(JJKH20181065SK)。

摘　　要：在消费主义文化语境下,市场和作家有着不同的关注点。市场着眼于物,关注其商品价值;而作家着眼于人,关注其社会存在价值。基于此,作家有必要采取相应的叙事策略,以使其作品同时具有经济价值、文学价值和社会价值。华顿在小说《欢乐之家》中采用婚恋叙事营造消费主义叙事语境,引发了读者的阅读兴趣;双重叙事结构弱化了作者的叙事权威,增加了人物评价的复杂性;双重叙事声音控制和影响读者对文本的理解,引领了作品的价值取向;坚持悲剧结尾,确立了作家对作品创作的独立性和主体性。华顿运用这些叙事策略将批判的矛头直指现实社会,使小说不仅获得了文学价值和社会价值,而且获得了可观的经济利益,从而实现了作品的经济价值。In the context of consumer culture,market and writer have different concerns.Market cares commodity,and more concerns its value.While writers care human being,and more concerns his value of social existence.It is necessary for writers to adopt appropriate narrative strategies to make their works have economic value,literary value and social value.Wharton adopts marriage narrative strategy in The House of Mirth to build a consumer narrative context and arouse readers’interest.The dual narrative structure weakens the writer’s narrative authority and adds the complexity of character evaluation.The dual narrative voice controls and influences the readers’understandings of the text and guides the value orientation of the work.The writer ends the novel in tragedy and establishes the independence and subjectivity of the writer in the creation of her works.Wharton used these narrative strategies to direct his criticism to the real world,which makes the novel gain not only literary value and social value,but also considerable economic benefit due to its best-selling.

关 键 词：消费主义文化 《欢乐之家》 叙事策略 

分 类 号：I712.074[文学—其他各国文学]