隈研吾“负建筑”思想及其作品浅析  

Brief Analysis on Kengo Kuma’s Thoughts of“Defeated Architecture”and His Works

作　　者：陈恒毅 刘梦婷 郑慧 林进益 李辛怡 CHEN Hengyi;LIU Mengting;ZHENG Hui;LIN Jinyi;LI Xinyi(School of Civil Engineering and Architecture,Wuyi University,Wuyishan,Fujian 354300)

机构地区：[1]武夷学院土木工程与建筑学院,福建武夷山354300

出　　处：《武夷学院学报》2022年第4期47-52,共6页Journal of Wuyi University

基　　金：福建省中青年教师教育科研项目(JAT190784);国家级大学生创新创业项目(202110397011);武夷学院一级课程线上线下混合课程(KC202113)。

摘　　要：一个建筑师的建筑哲学思想的形成受到诸多因素的影响,从文化渊源、成长经历和前辈建筑师熏陶等多个方面进行解读,探讨隈研吾建筑哲学思想的形成。剖析“负建筑”的概念、溯源和意义,并以“负建筑”创作历程为线索,结合各时期的代表设计实例详细论述隈研吾的建筑哲学思想、创作手法和表现特征等,以期对我国建筑行业在如何传承传统文化、运用本土材料和尊重自然环境等方面有所思考和启示。The formation of an architect’s architectural philosophy is influenced by numerous factors.This article interprets the formation of Kengo Kuma’s architectural philosophy from many aspects such as cultural origins,growth experience and the influence of predecessor architects.Based on the deep analysis of concept,origin and significance of Kengo Kuma’s“defeated architecture”and the interpretation of representative works in each period of the creative process,this paper makes the conclusion on performance characteristics and design strategies of“defeated architecture”.And in the end,the author pointed out the meaning of introducing the concept of“defeated architecture”and its thought on how to inherit the traditional culture,use local materials and respect the natural environment.

关 键 词：隈研吾 建筑哲学 负建筑 传统文化 尊重自然 

分 类 号：TU-86[艺术—艺术设计]