泼墨天青——当代青花装饰的艺术形态研究  

Splash Ink Azure-Research on the Artistic Form of Contemporary Blue and White Decoration

作　　者：丁犇 章晨 Ding Ben;Zhang Chen(Yangzhou Museum,Yangzhou,225126;Hutian Ceramic Community,Jingdezhen,333000)

机构地区：[1]扬州博物馆,扬州225126 [2]景德镇市新青年湖田瓷社,景德镇333000

出　　处：《陶瓷研究》2022年第2期77-79,共3页Ceramic Studies

摘　　要：青花装饰由来已久,从唐青花的探索、元青花的丰富,到明清时期青花装饰的百花齐放,人们用时间和工艺向世人展现青花装饰独特的审美愉悦。因此,当代青花装饰在体现传统造物意境的同时,在艺术形态上应该表达一种更深层次的艺术观念和意蕴。本文就是从艺术形态上阐述当代青花装饰的内涵意蕴,使得当代青花装饰既具有历史性,又具有时代性。Blue and White decoration has a long history.From the exploration of blue-and-white in the Tang Dynasty and the enrichment of blue-and-white in the Yuan Dynasty to the blooming of blue-and-white decoration in the Ming and Qing Dynasties,people use time and technology to show the world the unique aesthetic pleasure of blue-and-white decoration.Therefore,while reflecting the artistic conception of traditional creation,contemporary blue-and-white decoration should express a deeper artistic concept and meaning in artistic form.This paper expounds the connotation of contemporary blue-and-white decoration from the artistic form,which makes the contemporary blue-and-white decoration both historic and contemporary.

关 键 词：当代青花装饰 艺术形态 时代性 

分 类 号：J0[艺术—艺术理论]