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作 者:钱雨锴 Qian Yukai(Jingdezhen Ceramic Institute,Jingdezhen,333403)
出 处:《陶瓷研究》2022年第2期128-130,共3页Ceramic Studies
摘 要:陶瓷书法虽表达形式多样,无论是依附陶瓷器皿或陶瓷瓷板还是陶瓷自塑造型的艺术表达,陶瓷书法在创作时也需要考虑结体,笔法和章法,同时与传统书一样其作品不仅展现了书者的书写水平,也反应了他的文化素养。同时陶瓷书法还需要额外对陶瓷这一特殊的载体的特性有足够的了解,只有充分把握住泥在窑火中成瓷的一系列工艺需求才能让书法在陶瓷这一特殊载体上发光发热。Ceramic calligraphy has various forms of expression,whether it is attached to ceramic vessels or ceramic plates or the artistic expression of ceramic self-plastic modeling,ceramic calligraphy also needs to consider the structure,brushwork and composition.At the same time,like traditional books,its works not only show the writer's writing level,but also reflect his cultural literacy.At the same time,ceramic calligraphy also needs to have a sufficient understanding of the characteristics of the special carrier of ceramics.Only by fully grasping a series of process requirements for the formation of ceramics by mud in the kiln fire can calligraphy shine and heat on the special carrier of ceramics.
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