浅谈清代陶瓷釉上绘画装饰的艺术性  

Ceramic Glaze Decoration in the Qing Dynasty

作　　者：张家敏 Zhang Jiamin(Jingdezhen Ceramic Institute,Jingdezhen,333403)

机构地区：[1]景德镇陶瓷大学,景德镇市333403

出　　处：《陶瓷研究》2022年第2期131-133,共3页Ceramic Studies

摘　　要：清代陶瓷沿承了明代的传统,继续以景德镇为中心烧制陶瓷,由于制作工艺和技术的提高,又逐渐形成了独有的陶瓷釉上装饰品种,创作出了很多优秀的陶瓷艺术作品。清代的陶瓷在每一个时期都有很多不同的特色,尤其在康熙、雍正、乾隆三个时期的釉上彩瓷器的方面取得非常高的成就,其根本是围绕着以欣赏审美目的为主而产生的,其作品的技术和艺术价值较高。本文通过对清代各个时期从工艺、材料、技法、内容及风格等方面对陶瓷釉上绘画装饰进行整理与分析,探讨其风格装饰的艺术性及形成的原因。Following the tradition of the Ming Dynasty,Qing Dynasty ceramics continued to burn ceramics in Jingdezhen.With the improvement of production techniques and techniques,they gradually formed their own kinds of decoration on ceramic glaze and created many excellent ceramic artworks.The ceramics of the Qing Dynasty have many different characteristics in each period,especially in the three periods of Kangxi,Yongzheng and Ganlong,they have made very high achievements,its root is around the aesthetic appreciation of the main purpose produced,is also the core of the Qing Dynasty painted porcelain.In this paper,the reasons for the formation of the style and artistry of the over-glaze Ceramic Painting in Qing Dynasty are discussed from the aspects of craft,material,technique,content and style.

关 键 词：清代 釉上绘画 装饰 艺术性 

分 类 号：J0[艺术—艺术理论]