A.S.拜厄特的童话情结和童话叙事艺术  

A.S.Byatt's Fairy Tale Complex and Narrative Art

作　　者：贾宇萍 苗勇刚[1] JIA Yuping;MIAO Yonggang(School of Language and Literature, Harbin Institute of Technology, Weihai, Shandong 264209, China)

机构地区：[1]哈尔滨工业大学语言文学学院,山东威海264209

出　　处：《重庆交通大学学报（社会科学版）》2022年第3期67-72,共6页Journal of Chongqing Jiaotong University:Social Sciences Edition

基　　金：山东省教育厅人文社会科学研究项目“A.S.拜厄特童话情结研究”(J16WC29)。

摘　　要：当代英国作家A.S.拜厄特着迷于童话及童话叙事艺术。以拜厄特的两部长篇小说和童话故事集为研究文本,以她的文学评论和随笔为参照,探讨作家所具有的童话情结及其与文学创作的关联,分析其后现代语境下的童话创作所具有的独特叙事艺术,即通过镶嵌童话元素和童话改写文本,使童话副线和小说主线对位呼应,双线情节互动发展;作家的精巧编织使其童话叙事既是对经典与传统的继承和修正,又具有明显的后现代自反性和智性色彩。The contemporary British writer A.S.Byatt is deeply obsessed with fairy tale and its narrative art.This paper,through the close-reading and analysis of her two novels,a fairy tale collection,literary criticism and essays,explores the connection between her fairy tale complex and literary creation,and her unique fairy tale narrative art presented in the post-modern context.Byatt employs embedded fairy tale's elements and rewritten texts in the novel with fairy tale narrative and the narrative of the novel corresponding and interacting with each other.The elaborate weaving of the fairy tale narrative is the inheritance and revision of the classics and tradition,and also shows its post-modern self-reflexitivity and infinite creativity.

关 键 词：A.S.拜厄特 童话情结 叙事艺术 继承与自反性 

分 类 号：I561.074[文学—其他各国文学]