中国现代叙事诗中的人物形象演进  

The Evolution of Character Images in Chinese Modern Narrative Poetry

作　　者：杨四平 YANG Si-ping(School of Chinese Studies and Exchange,Shanghai International Studies University,Shanghai 200083,China)

机构地区：[1]上海外国语大学国际文化交流学院,上海200083

出　　处：《昭通学院学报》2022年第1期55-61,共7页Journal of Zhaotong University

基　　金：2015年度国家社会科学基金项目(15BZW123)阶段性成果之一。

摘　　要：随着国内外形势的沧桑巨变,中国现代叙事诗的发展也随之经历着急剧变化,不论是五四时期被启蒙的农村贫贱夫妇,启蒙与自我启蒙的城市知识分子,还是20世纪30-40年代城市青年的斗争、城市工人的革命、农民的暴动和农妇的抗战,都是由最初的蒙昧,到渐渐的觉醒,到能够自觉地进行反抗、持久反抗,最后从“我要吃饭”的愤怒呐喊发展到“我要杀人”的殊死搏斗,进而发展到“他死在第二次”的虽九死其犹未悔的持久抗战,一直到新中国成立!这是中国现代叙事诗人物形象塑造的演进史,而这种人物演进的形象史也从一个侧面反映了中国现代叙事诗的发展史。With the vicissitudes of the situation at home and abroad, the development of Chinese modern narrative poetry has also undergone rapid changes. Whether the rural poor couple who were enlightened during the May Fourth period, the urban intellectual who were enlightened and self-enlightened, or the struggle of urban youth from the 1930s to the 1940s, the revolution of urban workers, the riots of peasants and the resistance of peasant women, they all experienced from being ignorant at first, to gradually awakening, to being able to resist consciously and persistently, and finally developed the angry cry of "I want to eat" into the desperate struggle of "I want to kill". Then it further developed into the regretless and protracted War of Resistance against Japan that "he died a second time", until the founding of New China! This is the evolutionary history of characterization of Chinese modern narrative poetry, which also reflects the development history of Chinese modern narrative poetry from the side.

关 键 词：中国现代叙事诗 叙事 形象化 人物形象 

分 类 号：I207.25[文学—中国文学]