超越“二元对立”视野下朱光潜美学之当代意义新探  

Research n the Contemporary Significance of Zhu Guangqian’s Aesthetics in the Horizon of“Beyond-Binary Opposition”

作　　者：王彩虹 Wang Caihong(Department of Literature,Yunnan University,Kunming,650091)

机构地区：[1]云南大学

出　　处：《哲学评论》2021年第1期130-143,共14页Wuda Philosophical Review

基　　金：国家社科基金一般项目“中国当代艺术批评重大问题研究”(14BA015)阶段性成果。

摘　　要：超越“二元对立”是审美活动的内在要求,在中国现当代的美学理论和艺术理论中,这种“超越”大多表现为各种“主观与客观统一”“形式与内容统一”“思想与情感融合”等“统一”或“融合”模式,它们都是中国美学当代转向中宝贵的思想资源。以此为背景,本文拟通过对朱光潜美学中具有超越“二元对立”思维模式特质的思想进行梳理,从超越“二元对立”的视角,整理出其思想在中国美学的当代转向中可供后人借鉴之处,揭示出其美学的当代意义,以期为中国美学的当代发展提供一种参考和思路。Going beyond“binary opposition”is the inherent requirement of aesthetic activities.In Chinese modern and contemporary aesthetic theory and art theory,this transcendence is mostly manifested in various“unity”or“fusion”modes,such as“unity of subjective and objective”,“unity of form and content”,“integration of thought and emotion”,which are valuable resources in the contemporary turn of Chinese aesthetics.Based on this background,this paper intends to sort out Zhu Guangqian’s thoughts which going beyond the mind set of“binary opposition”in his aesthetics,to figure out related thoughts that could be refered by later generations from the perspective of going beyond“binary opposition”,and then to reveal the contemporary significance of his aesthetics,provide an approach and thinking for the contemporary development of Chinese aesthetics.

关 键 词：二元对立 客观论美学 主观论美学 主客观统一 美的形象 

分 类 号：B83-0[哲学宗教—美学]