多重生命视角下道教诗词的审美境界——以金元全真诗词为中心  

The Aesthetic Realm of Taoist Poetry from the Perspective of Multiple Lives--Focusing on Jin and Yuan Quanzhen Taoist Poetry

作　　者：郭中华 GUO Zhonghua(College of Literature and Arts, Shihezi University, Shihezi 832003, China)

机构地区：[1]石河子大学文学艺术学院,新疆石河子832003

出　　处：《河南科技大学学报（社会科学版）》2022年第3期49-54,共6页Journal of Henan University of Science & Technology(Social science)

基　　金：国家社科基金重大项目(17ZDA248)。

摘　　要：道教诗词拥有不同于尘俗作品的思想文化内质,就审美而言,其境域开阔、视角多重,且有着超越而终极的审美境界。以金元全真教诗词为例,在多重的生命审美视角下,其审美境界展现为“天人合一”“性命和合”“真善美相统一”等三个方面。这分别是在生命归置、生命修养、生命价值实现视角下的具体审美觉识。这些围绕生命审美的境界追求与理想,集中展现了道教诗词深刻的人文关怀,以及独具终极蕴味的道教审美文化。Taoist poetry has an ideological and cultural essence different from secular works.In terms of aesthetics,it has a wide range,multiple perspectives as well as a transcendent and ultimate aesthetic realm.Taking the Quanzhen poetry of Jin and Yuan Dynasties as an example,under the multiple aesthetic perspectives of life,its aesthetic realm is displayed in three aspects:the unity of heaven and man,the harmony of life,and the unity of truth,goodness and beauty.These are the specific aesthetic consciousness from the perspective of life domestication,life cultivation and the realization of life value.These pursuits and ideals around the realm of life aesthetics fully demonstrate the profound humanistic care of Taoist poetry and the Taoist aesthetic culture with unique ultimate connotation.

关 键 词：道教诗词 全真道教 生命审美 审美境界 

分 类 号：I206.2[文学—中国文学]