晋南纸型刻版图案数形解析  

A Symbolic-graphic Analysis on the Jinan Paper Type Engraving Pattern

作　　者：行佳丽[1] 王鹏 HANG Jia-li;WANG Peng

机构地区：[1]山西师范大学美术学院,山西临汾041004 [2]贵州大学美术学院,贵州贵阳550000

出　　处：《民族艺林》2022年第2期98-109,共12页Journal of Ethnic Art

基　　金：山西省社科联2019至2020年度重点课题研究项目“‘一带一路’汉字文化圈中的文字形态传承与数字化发展”(项目编号:SSKLZDKT2019055)阶段性成果。

摘　　要：数形结合,就是在研究问题的过程中,注意把数和形结合起来考察,斟酌问题的具体情形,把图形性质的问题转化为数量关系的问题,或者把数量关系的问题转化为图形性质的问题。《平阳印染布艺刻版图案数字化保护与设计应用》课题组借助数学界通用的“单色图案标志法”对晋南纸型刻版图案分类,并使用直观的图形语言展示数学结构。数据分析显示出晋南民间美术造型特征与当地历史文化结构之关联性。数形结合思想有望成为民间艺术研究中的新方法与新思路。The symbolic-graphic combination means that the combination of number and shape,when faced a specific situation of the problem in the process of studying a problem.So the problem of the nature of the figure can be transformed into the problem of quantitative relations,or the problem of quantitative relations can be transformed into the problem of the nature of the figure.The project“Engraving Pattern Digital Protection and Design Application in Pingyang Printing and Dyeing Cloth”uses the“monochrome pattern marker method”,a common method in mathematics,to classify Jinnan paper engraving patterns,and uses an intuitive graphical language to demonstrate the mathematical structure.The analysis of the data reveals the relevance of the stylistic features of Jinan folk art with the historical and cultural structure of the region.The symbolic-graphic combination promises to be a new approach and a new idea of research into folk art.

关 键 词：型版印染 数形结合 还原模拟 文创实验 

分 类 号：J901[艺术—电影电视艺术]