儒家文化思想在故宫建筑中的体现  

The Embodiment of Confucian Cultural Thoughtin the Forbidden City

作　　者：孙卫平 崔雪茹[2] SUN Wei-ping;CUI Xue-ru

机构地区：[1]西南财经大学图书馆,四川成都611130 [2]西南财经大学人文学院,四川成都611130

出　　处：《民族艺林》2022年第2期110-116,共7页Journal of Ethnic Art

基　　金：西南财经大学2021年度中央高校教育教学改革专项“教育教学研究”项目“‘互联网+’背景下研究生培养中的马克思主义经典阅读推广——高校图书馆嵌入式学科服务”(项目编号:2021YJG05)阶段性成果。

摘　　要：儒家思想作为中国传统社会的主流思想影响了中国社会数千年的历史。而故宫是中国明清时期皇家建筑的最高成就之一,在故宫中蕴含着丰富的儒家思想。从故宫的建筑风格来说,儒家天人合一的思想影响了故宫的建筑和命名;从故宫建筑的色彩和装饰来说,儒家的礼制、等级思想影响了故宫建筑的色彩和装饰。不仅如此,儒家文化在故宫建筑布局上也发挥着举足轻重的作用。Confucianism,as the orthodox mainstream of Chinese thought,influenced the history of ancient Chinese society for thousands of years,and the Forbidden City and related buildings were one of the highest achievements of the royal architecture in the Ming and Qing Dynasties of China.There is a wealth of Confucianism in the Forbidden City building and its related buildings.From the construction style of the Forbidden City,it can be seen that the ethics of unity of heaven and man in Confucianism influenced the building and naming of the Forbidden City,and the Confucian etiquette and hierarchical thought influenced the color and decoration of the Palace Building;Yin and Yang thought influenced the color and decoration of the Forbidden City building.Not only that,the Confucian culture also plays an important role in the architectural layout of the Forbidden City.

关 键 词：故宫 天人合一 皇权至上 贵和思想 礼制 

分 类 号：B222[哲学宗教—中国哲学]