“新感性”:马尔库塞对李泽厚的窾要之功  

"The New Sensibility" : Marcuse’s Important Contribution to Li Zehou

作　　者：史华威 SHI Huawei(School of Liberal Arts,Minzu University of China,Beijing 100081,China)

机构地区：[1]中央民族大学文学院,北京100081

出　　处：《乐山师范学院学报》2022年第5期91-96,共6页Journal of Leshan Normal University

摘　　要：赫伯特·马尔库塞“新感性”的美学思想对李泽厚“新感性”的建立有窾要之功,他们之间的联系从文献资料来看始于20世纪80年代。李泽厚的“新感性”并非一日之功,早在70年代初期就已经开始建构主体性实践哲学,作为“积淀说”的完善和“情本体”的基础,“新感性”肩负起复兴中国美学的使命。挖掘二人观点的相通性和差异性,理解李泽厚的美学思想的基础上,借鉴中西合璧的学术思路,以期对目前的中国美学研究有所帮助。Herbert Marcuse’s aesthetic thought of "The New Sensibility" has a great contribution to the establishment of Li Zehou’s "The New Sensibility". From the literature, the relationship between them began in the 1980s, but Li Zehou’s "The New Sensibility" is not a day’s work. As early as the early 1970s, he had begun to construct his subjective practical philosophy. As the perfection of "The Accumulation Theory" and the foundation of "Emotional Essence", "The New Sensibility" has taken on the mission of reviving Chinese aesthetics. It explores the similarities and differences between the two men’s perspectives, and draws on scholarly thinking based on an understanding of Li Zehou’s aesthetic thought, with a view to contributing to current research on Chinese aesthetics.

关 键 词：“新感性” 李泽厚 赫伯特·马尔库塞 

分 类 号：I0-02[文学—文学理论]