“定军山”故事的母题内涵与当代演变  

The Motif Connotation and Contemporary Evolution of the Dingjunshan Story

作　　者：陈曦[1] 费团结[1] CHEN Xi;FEI Tuanjie(School of Humanities,Shaanxi University of Technology,Hanzhong,Shaanxi 723000)

机构地区：[1]陕西理工大学人文学院,陕西汉中723000

出　　处：《陕西理工大学学报（社会科学版）》2022年第2期36-42,共7页Journal of Shaanxi University of Technology(Social Science)

基　　金：陕西省教育厅基金项目(16JK1130)。

摘　　要：黄忠在定军山斩杀夏侯渊的故事,内含着不服老、老而有为的母题。这一故事母题形成一种叙事传统,在古今许多作品中都有所表现。20世纪90年代问世的电影剧本《定军山》及其改编拍摄的电影《西洋镜》,也延续了这一故事母题,但是由于文化立场的改变,影片在表现这一母题的同时也削弱甚至消解了这一母题。黄忠的定军山故事所内含的故事母题,随着创作意图、文体形式和时代背景等的变化,它的叙事形态也总在发生着变化,其所形成的叙事传统的艺术魅力正在于变与不变之间。The story of Huang Zhong’s killing Xiahou Yuan in Dingjun Mountain contains the motif of age negation. This motif forms a narrative tradition and exists in many ancient and modern literary works. In 1990 s, The Dingjun Mountain, a screenplay, and The Shadow Magic, an adapted film from it, continued this story motif to some extent. However, due to the change of cultural position, the films weakened or even eliminated this motif while expressing it. The narration modes of the motif in Huang Zhong’s Dingjunshan story have been evolving with the changing literary purposes, literary styles and social backgrounds. In the process of evolution, between mortal and immortal lie the artistic charms of the narrative traditions.

关 键 词：定军山 黄忠 不服老 母题 叙事传统 当代演变 

分 类 号：I041[文学—文学理论]