从主体间性到语境性:数字时代的艺术转型  

From Inter-subjectivity to Contextuality:The Transformation of Art in the Digital Age

作　　者：王甦[1] WANG Su

机构地区：[1]安徽大学艺术学院

出　　处：《北京社会科学》2022年第6期71-79,共9页Social Sciences of Beijing

基　　金：安徽省哲学社会科学规划项目(AHSKQ2019D081)——安徽城市公共空间音乐声环境评价与优化策略研究。

摘　　要：在数据结构、智能系统、信息网络等新技术的影响下,社会和文化发生了变化。在文化艺术领域,作为艺术作品创作者的艺术主体虚拟化、虚拟主体间性的形成,展示了艺术生态的转型数字化挑战了传统艺术形式,让艺术作品创作者的身份不再依附于特定的地点,不同的“语境”近在咫尺,每个人都能够参与到创造和重置“语境”的过程中,艺术作品变得具有“非物质性”和“交互性”,从而改变了艺术作品创作者与欣赏者之间的关系;艺术作品创作者与欣赏者之间不再是“施动”和“受动”的关系,而是“交互”和“对话”的互动关系,此时的艺术主体不再是孤立封闭的形象,而是动态开放的形象,艺术主体间与欣赏者之间成为艺术共生平权的关系。Under the influence of new technologies such as data structure,intelligent system and information network,society and culture have changed.In the field of culture and art,the virtualization of art subjects and the formation of virtual inter-subjectivity as creators of art works show the transformation of art ecology:Digital has challenged the traditional art form,let art creators identity is no longer attached to specific locations,different“context”in close proximity,everyone can participate in the creation and reset the process of“context”,art becomes a“non-material”and“interactive”,which changed the relationship between art creators and appreciators,The relationship between the creator and the audience of art works is no longer“acting”and“being moved”,but an interactive relationship of“interaction”and“dialogue”.At this time,the art subject is no longer an isolated and closed image,but a dynamic and open image,and the relationship between the art subject and the audience has become a symbiotic and equal relationship of art.

关 键 词：主体间性 语境 数字化 身份运作 艺术转型 

分 类 号：G112[文化科学]