镜头思维下的卞之琳诗歌研究--以推拉镜头理念(“拉镜头”为主)在卞诗中的运用为例  

Research on Bian Zhilin’s Poetry under the Thinking of Lens Movement--Take the Application of Push-pull Lens Concept(Mainly"Pull Lens")in Bian’s Poetry as an Example

作　　者：郭峰 GUO Feng(College of Literature,Guangxi Normal University,Guilin Guangxi 541006)

机构地区：[1]广西师范大学文学院,广西桂林541006

出　　处：《兴义民族师范学院学报》2022年第2期30-33,38,共5页Journal of Minzu Normal University of Xingyi

摘　　要：镜头运动思维是诗歌鉴赏援引电影语言的创造性手段之一,推拉镜头是其中重要的思维方式。以推拉镜头理念反观卞之琳诗歌,发现其中有很多类似于“拉镜头”的图像化表达。这种诗歌图像化通过人物视角剧烈的空间变化,来表现个体处境的不稳定性、看待事物的多面性以及人与世界的相对关系。“拉镜头”理念在诗歌中的运用,使得卞之琳诗歌用极短的篇幅表现出极深刻的哲思,并做到了感情抒发与智性思考的完美统一。卞之琳诗歌蕴涵着诗歌语言与电影镜头语言的暗合,这种诗歌图像化为读者展现了丰富的画面感,其带来的无穷的想象空间,甚至为很多电影都比之不及。Lens movement thinking is one of the creative means of poetry appreciation quoting film language,and push-pull lens is an important way of thinking.Looking back at Bian Zhilin’s poetry with the concept of push-pull lens,we find that there are many graphic expressions similar to"pull lens".This poetic imagery shows the instability of individual situation,the multifaceted nature of looking at things and the relative relationship between man and the world through the dramatic spatial change of character’s perspective.The application of the concept of"pulling the lens"in poetry enables Bian Zhilin’s poetry to express profound philosophical thoughts in a very short space,and achieve the perfect unity of emotional expression and intellectual thinking.Bian Zhilin’s poetry reflects the coincidence between poetry language and film lens language.This kind of poetry visualization shows readers a rich sense of picture,which brings infinite imagination space and is even inferior to that of many films.

关 键 词：卞之琳 镜头运动 推拉镜头 图像化 空间变化 

分 类 号：I207.25[文学—中国文学]