守正脉 拓新境——吴永良的人品和画艺  

Inheriting the Tradition and Expanding a New Real:Wu Yongliang’s Personal Quality and Painting Art

作　　者：毛建波[1] 陆嘉磊 Mao Jianbo;Lu Jialei

机构地区：[1]中国美术学院艺术人文学院 [2]中国美术学院中国思想史与书画研究中心

出　　处：《美术》2022年第5期64-69,共6页Art Magazine

摘　　要：作为浙派人物画第二代领军人物之一,吴永良从潘天寿、周昌谷等先师手中传承了国艺正脉,深刻领悟中国画传统内核,其首创了意笔线描教学并创作了一大批优秀作品,促进了中国人物画的发展。本文试图从“改革中坚,意笔线描,完善浙派人物画教学”、“发展指墨,丰富色彩,拓宽中国画界域”、“通人之学,艺以人传,传承国艺正脉”三个角度,较为详尽地探讨其艺术成就与艺品观念,对现代人物画的创新与“人”、“艺”关系的处理寻找启示。As the leader of the second generation of figure painters of the Zhejiang school,Wu Yongliang inherited the classical vein of traditional Chinese art from Pan Tianshou,Zhou Changgu and other respectful masters.He has a profound understanding of the core tradition of Chinese paintings,and pioneered the freehand line drawing technique and created a large multitude of excellent works,prompting the development of figure paintings in China.From the perspectives of "reforming the backbone,freehand line drawing,improving figure painting teaching of the Zhejiang school", "developing the water-ink,enriching its colors and expanding the territory of Chinese paintings" and "cultivating versatile man,passing down arts from mater to apprentice,inheriting classical Chinese art",this paper explores his achievements in art and artistic concepts in detail,thereby providing implications on how to deal with the relationship between innovation and "human" and "art" in modern figure paintings.

关 键 词：吴永良 浙派人物画 潘天寿 意笔线描 

分 类 号：J205[艺术—美术]