女性主义批评视野下的《青楼韵语》解读  

Interpretation of Brothel Rhymes from Perspective of Feminist Criticism

作　　者：刘蔓雨 何宗美[1] LIU Manyu;HE Zongmei(School of Liberal Arts,Southwest University,Chongqing 400715)

机构地区：[1]西南大学文学院,重庆北碚400715

出　　处：《绍兴文理学院学报》2022年第5期94-99,共6页Journal of Shaoxing University

摘　　要：明代张梦徵、朱元亮选录历代妓女之诗、词、曲,成《青楼韵语》一书。该书是典型的晚明产物,其性质颇具特殊性:既是文学选集,又为情爱交际学的流行读物。《青楼韵语》的双重内涵使之拥有文学和社会学的双重阐释空间,西方当代文艺批评理论中的女性主义批评是可借用的解读方式。书中所收录的作品塑造出晚明男性心目中女性的理想范式,体现出中国古代社会中男性对女性的掌控欲望以及女性作为客体所处的从属地位;进入文本体察发现,妓女作者们善于运用躯体的描述,来传达更深层次的情感内容,这与南朝宫体诗和当代身体写作同中有异。In the Ming dynasty,Zhang Mengzheng and Zhu Yuanliang selected the poems,lyrics and songs of prostitutes in the past dynasties and compiled them into a book called Brothel Rhymes.It is a typical product of the late Ming dynasty,with a very special identity both as a literary anthology and as a popular reading of affective communication.Its dual connotations give it both literary and sociological interpretations,one of which is to interpret it from today’s feminist criticism in contemporary Western literary criticism.The works collected in the book describe the ideal paradigm of women in the men’s minds in the late Ming dynasty,reflecting the desire of men to control women in ancient Chinese society and the subordinate position of women as objects.Examined from the poems,it can be found that the prostitute writers are adept at conveying their deeper emotions by the descriptions of the body,which shows the similarities of and dissimilarities from both Southern dynasty court poetry and contemporary body writing.

关 键 词：《青楼韵语》 情爱交际学 女性主义 文学批评 身体写作 

分 类 号：I207.22[文学—中国文学]