花灯的历史发展与现代实践--以云南呈贡花灯为例  

The Historical Development and Modern Practice of Lanterns--Take Yun Nan Chenggong Lantern as an Example

作　　者：王倩倩[1] Wang Qianqian(Minzu University of China,Beijing,100081)

机构地区：[1]中央民族大学,北京100081

出　　处：《鹿城学刊》2022年第1期73-77,共5页Journal of Lucheng

摘　　要：我国的花灯艺术源远流长,蕴含着地方民族文化传统。云南呈贡的花灯是一种历史悠久、唱腔优美的民间戏曲艺术形式,通过多元文化的融合培养了众多花灯传唱人和花灯爱好者,是云南独具特色的文化名片,也是花灯艺术的典型代表。文章从花灯的形成历程出发,梳理花灯的由来及历史渊源,以呈贡花灯为表演艺术形式的范例探讨花灯的历史发展脉络及现代实践,在当代民俗实践中追寻民族历史记忆,弘扬中华优秀传统文化。China’s lanterns have a long history and embody local ethnic cultural traditions.The lanterns in Chenggong,Yunnan Province,are a folk opera art form with a long history and beautiful singing style,which has cultivated many lantern singers and lantern lovers through the integration and cooperation of multiple cultures,and is a unique cultural card of Yunnan Province and a typical representative of lantern art.This paper compares the origins and historical origins of lanterns from the formation of lanterns,explores the historical development and modem practices of lanterns with the example of Chenggong lantern as a performing art form,traces the historical memory of the nation in contemporary folk practices,and promotes the excellent traditional culture of China.

关 键 词：记忆符号 呈贡 花灯 中华优秀传统文化 

分 类 号：J825[艺术—戏剧戏曲]