中国竹乐器及其文化内涵分析  

Chinese Bamboo Musical Instrument and Its Cultural Connotation

作　　者：连彩萍 钟婧玮 陈红 吴智慧 LIAN Caiping;ZHONG Jingwei;CHEN Hong;WU Zhihui(College of Furnishings and Industrial Design,Nanjing Forestry University,Nanjing 210037,China)

机构地区：[1]南京林业大学家居与工业设计学院,南京210037

出　　处：《家具》2022年第2期73-78,共6页Furniture

基　　金：国家重点研发计划(2016YFD0600704)。

摘　　要：丰富的竹资源孕育了我国多样的竹乐器,并以音乐的形式铸就了厚重的竹文化。为了传承与发展竹制乐器及其文化,通过文献调研的形式对我国竹乐器及其文化内涵进行剖析,阐述了我国竹制乐器的发展史,包括起源-发展-稳定-萎缩-再发展5个阶段;简要介绍了我国竹乐器的四大类:竹制气鸣乐器、竹制体鸣乐器、竹制弦鸣乐器和竹制膜鸣乐器;分析了我国竹乐文化的地域性和人文性;进一步提出中国竹制乐器应与现代音乐相融合、与科技相结合,应与专业高校合作,并以教育的形式进行人才化培养。要想传承与发展好竹乐器,重点是回归文化本身,除了需要加大投入和宣传外,还要构建良好、长期、持续的生存及发展机制。Abundant bamboo resources have bred a variety of bamboo musical instruments in China,and created a rich bamboo culture in the form of music.The long history and splendid culture of bamboo musical instruments are important part of Chinese civilization.In order to inherit and develop bamboo musical instruments and their culture,the paper studied China's bamboo musical instruments and their cultural connotation in the form of literature investigation.The regionality and humanism of Chinese bamboo music culture were also analyzed.The result showed that the development history of China's bamboo musical instruments include five stages:origin-development-stability-shrinkage-redevelopment.Bamboo musical instruments in China can be briefly classified in four categories:Bamboo Aerophones,Bamboo Idiophones,Bamboo Chordophones,and Bamboo Membranophones.It was further proposed that Chinese bamboo musical instruments should be integrated with modern music,combined with science and technology,cooperated with professional colleges and universities,and carried out talent training in the form of education.In short,in order to inherit and develop bamboo musical instruments well,the key point is to return to the culture itself.In addition to increasing investment and publicity,a good,long-term and sustainable survival and development mechanism should be established.

关 键 词：中国 竹乐器 发展史 文化内涵 

分 类 号：TS664[轻工技术与工程]