作品数据化使用的赋权规制  

Regulation on Digital Use of Works

作　　者：杨绪东 YANG Xudong(Research Center of Intellectual Property Right,Zhongnan University of Economics and Law,Wuhan 430073,China)

机构地区：[1]中南财经政法大学知识产权研究中心,湖北武汉430073

出　　处：《山东科技大学学报（社会科学版）》2022年第3期33-40,共8页Journal of Shandong University of Science and Technology(Social Sciences)

基　　金：教育部人文社会科学重点研究基地重大项目(18JJD820001);高等学校学科创新引智计划(111计划)(B18058)。

摘　　要：智能算法的研发与应用,在作品使用领域掀起了数据化革命,蕴含着巨大的商业利益,也引发了诸如合理使用、侵权使用、许可使用等诸多定性上的争议,严重阻碍了作品数据化使用的正常交易,亟待作出制度层面的有效回应。作品数据化使用交易的规制要点在于合理化的作品数据确权。经过比较分析,作品数据化交易的确权争议主要集中于作品数据的产权主体是作品的创作者还是传播者、产权内涵是传统的复制权还是新型的数据权、产权许可是通过强制的法定许可制度还是协议的集体管理制度三个方面。从制度渊源和制度法理出发,创设一种作品数据权,将其归属于作品的创作者,并通过集体管理制度来降低其交易成本,不仅更具理论合理性,而且更具现实可操作性。The research and application of intelligent algorithms have set off a digital revolution in the use of the works.Despite huge commercial interests,they also trigger many qualitative disputes,such as fair use,infringement use,license use and so on,which seriously hinder the normal transaction of digital use of the works.Therefore,it is urgent to make an effective response at the institutional level.To regulate the digital transaction of the works,the key point is to establish a rational digital right of the works.Through comparative analysis,the disputes on the digital transaction of the works mainly focus on three aspects:whether the property right subject of the digital works is the creator or the communicator of the works,whether the property right is a traditional reproduction right or a new data right,and whether the property right is licensed through the compulsory legal licensing system or the collective management system by agreement.From the institutional origin and legal principles,it is not only more rational in theory,but also more operable in reality to create a kind of digital right of the works,which belongs to the creator of the works,and reduces its transaction cost through collective management system.

关 键 词：智能算法 作品使用 数据化 产权化 公正化 

分 类 号：D923.4[政治法律—民商法学]