爱默生实体化诗学思想  

On Emerson’s Poetic Thoughts of Hypostasization

作　　者：简功友[1,2] Jian Gongyou(Foreign Studies College,Hunan Normal University,Changsha,Hunan Province;College of Foreign Languages,Jishou University,Zhangjiajie,Hunan Province,China)

机构地区：[1]湖南师范大学外国语学院,湖南长沙410081 [2]吉首大学外国语学院,湖南张家界427000

出　　处：《外国文学》2022年第3期114-124,共11页Foreign Literature

基　　金：国家社科基金重大招标项目“20世纪美国文学思想研究”(14ZDB088);湖南省社会科学成果评审委员会课题“爱默生共同体想象及当代价值研究”(XSP21YBC463)。

摘　　要：“实体化”是爱默生诗学思想的核心内涵,具体体现为诗歌语言的实体化、诗歌本质和诗歌创作的实体化以及诗歌美学的实体化。首先,爱默生强调语言所指的实物更具备象征性,因此诗歌语言实际上使用的是语言的所指物,即作为语言的自然实物。其次,爱默生坚信诗歌的本质不是文本结构,而是文本背后的“第二自然”,即将自然实物重组后的世界,因此诗歌创作就是依据诗歌要表达的思想通过变形来形成第二自然的过程。最后,爱默生的诗歌美学思想也偏离了传统,因为审美对象的实体化,有机美和视觉美成了爱默生诗歌美学的核心概念。爱默生实体化诗学思想实际上是意象主义诗学思想的萌芽,开启了用具体意象做诗的传统。Hypostasization is the core of Emerson’s poetic thoughts,which includes the hypostasization of poetic language,the nature and creation of poetry,and poetic aesthetics.Firstly,Emerson emphasizes that natural objects are more symbolic.Therefore,what really matters in the language of poetry is the referent of language,i.e.,the natural things as language.Secondly,Emerson believes that the nature of poetry is the “second nature” behind the text,namely,the reshaped world of natural things.Thus,poetry creation is the making of “second nature” through metamorphosis based on the idea a poet wants to express.Finally,Emerson’s poetic aesthetics has also deviated from traditions.For with the hypostasization of aesthetic objects,organic beauty and visual beauty have become the core concepts of Emerson’s poetic aesthetics.Emerson’s poetic thoughts of hypostasization are actually the seeds of imagist poetics,which has started the poetic tradition of composing poetry with concrete images.

关 键 词：爱默生 诗学思想 实体化 

分 类 号：I0[文学—文学理论]