论巴尔蒂斯绘画的造型特征和审美理念  

On the Modelling Features and Aesthetic Ideas in Paintings of Balthus

作　　者：李染澄 Li Rancheng

机构地区：[1]山东大学文艺美学研究中心

出　　处：《美术》2022年第6期126-130,共5页Art Magazine

摘　　要：20世纪的西方艺术是一个思潮涌动、流派纷呈的时代。一方面,身处其中的巴尔蒂斯吸收和继承文艺复兴时期古典主义绘画的精华;另一方面,其又运用具有鲜明个性的审美理念进行艺术观察与表现。这拓展了他的绘画语言,使其绘画既有传统的表现方式,又有当代的审美理念。本文通过研究巴尔蒂斯作品的造型特征、形象内涵,以及其作品风格形成因素,让我们在绘画实践中重新反思传统与现代、具象与抽象、主观与客观以及象征与表现之间的关系,并为当下中国艺术创作提供启迪与视角。In the 20th Century,a diverse trend of thought in western art surged and various schools emerged.Under the background of the times,Balthus,on one hand,absorbed and inherited the essence of the classical painting during the Renaissance,on the other hand,employed in his works a distinct aesthetic concept of artistic observation and expression.All those expanded the context of his paintings,endowing his works with a combination of contemporary aesthetic ideas and traditional form of expression.In this paper,by studying the modeling characteristics,imagery connotation and style forming factors in Balthus’works,we can reconsider the relationship between the traditional and the modern,the figurative and the abstract,the subjective and the objective,symbol and expression,and further provide enlightenment and perspective for the current Chinese art practicey.

关 键 词：巴尔蒂斯 造型特征 审美理念 象征性 表现性 

分 类 号：J209[艺术—美术]