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作 者:张新科 ZHANG Xinke(College of Art,Hebei University,Baoding,Hebei 071000,China)
出 处:《贵州大学学报(艺术版)》2022年第4期30-35,共6页Journal of Guizhou University Art Edition
基 金:河北大学高层次人才科研启动项目(项目编号:521100221007);国家社科基金艺术学重大项目“当代中国艺术体系研究”(项目编号:18ZD03)。
摘 要:当下建构“民族艺术学”学科具有两大背景:一是学科背景,艺术学在2011年独立为中国的一个学科门类,而且在当下正处于繁荣发展时期,建构“民族艺术学”学科有利于促进艺术学的进一步发展。二是时代背景,“三大体系”建设和“新文科”建设都要求人文社会科学研究的深入化、系统化,构建“民族艺术学”学科对于建构有中国特色的艺术学学科体系、学术体系和话语体系具有重要推动意义,而且时代的发展、社会的变迁,尤其是高科技的发展,这些新现实也要求我们用新视角、新方法、新理论研究民族艺术。对“民族艺术学”概念内涵的不同理解,形成了四种不同的“民族艺术学”研究理论路径:对象论的“民族艺术—学”强调其研究对象是民族艺术;方法论的“民族—艺术学”强调用民族学的方法或理论研究艺术;整体论的“民族艺术学”强调作为统辖各个民族艺术分支学科的综合体;一般论的“民族艺术学”则强调对抽象的“民族艺术”自身的起源、特征、类型、发展等普遍性规律的研究。At present, the disciplinary construction of “ethnological arts” are under two contexts. One is the disciplinary context in which art was classified as an independent discipline in 2011 in China that currently is in a period of prosperity and development and thus the disciplinary construction of “ethnological art” is conducive to the further development of art. The other context is social background. The constructions of “Three systems” and the “new liberal arts” both require a deepening and systematic research on humanities and social sciences. The disciplinary construction of “ethnological arts” has an important stimulating significance to construct the discipline system, academic system and discourse system of characteristic Chinese art. Moreover, the social development and changes, especially the development of high technology also require us to adopt new perspectives, methods and theories to study national arts. Based on different understandings of the conceptual connotations of “ethnological arts”, there forms four different theoretical paths for its study. Firstly, the perspective of research object takes “national arts” and “studies” as research objects with a focus on national arts. Secondly, the perspective of methodology considers “nationality” and “art” that highlights the application of ethnological methodology and theory into the studies on art. Thirdly, the holistic theory of “ethnological arts” emphasizes it is a complex that governs all branches of national arts. Lastly, “the general art” emphasizes the study on the abstract universal law concerning its origins, features, types and development and so on.
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