明中后期吴中文学蔓延之浙东地区--以张瀚诗歌为例  

The Spread of Wuzhong literature in Eastern Zhejiang in the Middle and Late Ming Dynasty--Taking Zhang Han's Poetry as an Example

作　　者：王婷 WANG Ting(College of Arts,Heilongjiang University,Harbin Heilongjiang 150080,China)

机构地区：[1]黑龙江大学文学院,黑龙江哈尔滨150080

出　　处：《四川职业技术学院学报》2022年第3期113-117,共5页Journal of Sichuan Vocational and Technical College

基　　金：2021年黑龙江大学校级研究生创新科研项目(YJSCX2021-130HLJU)。

摘　　要：自朱明建朝以来,吴中地区文学思潮的流变较小,文人较少受理学思想的束缚。明前期,吴中文人侧重抒发个人的情思,书写日常生活,讲究诗歌的技巧与文采,至明中后期,又普遍倾向“简远”与“平民化”的审美追求。张瀚虽是杭人,但其深受吴中文化的影响。吴中文学推崇博雅,张瀚诗歌则追求众体兼备、擅用典故的艺术风格;吴中文学讲究性情之真,张瀚诗歌则体现自然之音、直抒己见的审美风尚。Since the founding of the Ming Dynasty,the evolution of literary thought in Wuzhong area is the smallest,and scholars rarely accept the constraints of Neo-Confucianism of Cheng-Zhu.In the early Ming Dynasty,Wuzhong people focused on expressing their personal feelings,recording daily life,paying attention to the skills and literary grace of poetry.In the middle and late Ming Dynasty,they generally tended to have aesthetics pursuit of"simple word but profound artistic conception"and"civilians".Although Zhang Han is from Hangzhou,he is deeply influenced by Wuzhong culture.Wuzhong literature advocates liberal and elegant,while Zhang Han has his own style with diversification and Zhang Han’s poetry is full of literary allusion;Wuzhong literature tends to express themselves directly,while Zhang Han's poetry reflects the voice of nature and the aesthetic trend of expressing his views directly.

关 键 词：吴中文学 张瀚诗歌 文学影响 艺术风格 

分 类 号：I206.2[文学—中国文学]