重审“汉语性”:以张枣诗学体系为中心  

Reconsidering "Chinese Character":Centered on Zhang Zao’s Poetics System

作　　者：黄英豪 HUANG Yinghao(Modern Chinese Poetry Research Institute,Southwest University,Chongqing 400715,China)

机构地区：[1]西南大学中国新诗研究所,重庆北碚400715

出　　处：《岭南师范学院学报》2022年第2期52-61,共10页Journal of Lingnan Normal University

摘　　要：晚近诸多学者认为“汉语性”意指对古典诗歌传统的继承及再阐释,但忽视了“汉语性”的丰富内蕴。张枣提出的“汉语性”是流动的概念范畴,在其早期诗学体系中,“汉语性”分裂为“诗言志”及“楚调式”两条支脉,在拒斥前者的同时,张枣沉浸于“写作狂”姿态。留德期间,张枣因受语言漂流状态、德国文学思潮转变等质素影响,重建“复合调式”的“汉语性”范式,提出从西方、古典、现实三重文化空间汲取养料,其体系中的“现实”及“古典”维度要求张枣与“诗言志”和解。但因“旁观者”姿态的影响,张枣在创作中延续了早期对“诗言志”的拒斥态度,导致“汉语性”内部产生隳突。因此,“汉语性”概念的使用及其有效阐释需要在变动的主体语境中考察。In recent years,many scholars think that Chinese Character means the inheritance and re-interpretation of classical poetry tradition,but ignore the rich connotation of Chinese Character.The Chinese Character proposed by Zhang Zao is a floating conceptual category.In his early poetic system,Chinese character is divided into two branches:Poetry Expressing Aspiration and Chu Mode.While rejecting the former,Zhang Zao is immersed in the attitude of Writing Mania.During his stay in Germany,Zhang Zao,influenced by the crisis of language exile and the change of German literary trend,reconstructed the Chinese Character paradigm of Compound Mode and proposed to draw resources from the Western,Classical and Realistic Cultural Spaces.The Realistic and Classical dimensions of the system required Zhang Zao to reconcile with Poetry Expressing Aspiration.But because of the influence of Spectator attitude,Zhang Zao continued his early rejection of Poetry Expressing Aspiration in his creation,which led to the internal destruction of Chinese Character.Therefore,the use of the concept of Chinese Character and its effective interpretation need to be examined in the context of the changing subject.

关 键 词：汉语性 张枣 诗言志 现代性 

分 类 号：I206.7[文学—中国文学]