吴炫否定主义理论的独创性  

The Originality of Wu Xuan’s Negativism Theory

作　　者：郭小霞 GUO Xiao-xia(School of Literature,Capital Normal University,Beijing 100048,China)

机构地区：[1]首都师范大学文学院,北京100048

出　　处：《兰州文理学院学报（社会科学版）》2022年第4期34-39,共6页Journal of Lanzhou University of Arts and Science(Social Science Edition)

摘　　要：吴炫的否定主义理论主要包括“作为哲学的本体性否定”“作为美学的本体性否定”“作为文艺学的本体性否定”三大部分。通过吴炫与海德格尔、萨特等哲学家思想的比较,深入探究吴炫对“存在”的理解。以“实践论”美学家黄药眠、朱光潜、李泽厚作为参照系,分析吴炫否定主义美学与他们的不同。通过与文艺理论家童庆炳、钱谷融、钱中文、王元化注重文学独立性的研究的对照,展开对吴炫中国式文学性理论的阐释。通过挖掘吴炫否定主义理论的独创性,加深文艺理论研究者对以中国话语为主体的原创理论的认识,从而为中国当代文论建设提供应有的参考。Wu Xuan’s negativism theory mainly includes three parts:“ontological negation as philosophy”,“ontological negation as aesthetics”and“ontological negation as literature and art”.Through the comparison of Wu Xuan’s thoughts with those of Heidegger and Sartre,this paper explores Wu Xuan’s understanding of“existence”.Taking the aestheticians Huang Yaomian,Zhu Guangqian and Li Zehou as the reference system,this paper analyzes the difference between Wu Xuan’s negativism aesthetics and theirs.By comparing with the literary theorists Tong Qingbing,Qian Gurong,Qian Zhongwen and Wang Yuanhua who emphasize literary independence,this paper expounds Wu Xuan’s Theory of Chinese literariness.By exploring the originality of Wu Xuan’s negativism theory,this paper aims to deepen the literary theory researchers’understanding of the original theory with Chinese discourse as the main body,so as to provide reference for the construction of contemporary Chinese literary theory.

关 键 词：本体性否定 文学穿越论 独创 

分 类 号：B83-0[哲学宗教—美学]