从《长安十二时辰》看唐代多元对等的文化格局——否定主义文化哲学实践  

The Cultural Pattern of Diversity and Equality in Tang Dynasty from The Longest Day in Chang’an——Negativism Cultural Philosophy Practice

作　　者：焦旸 JIAO Yang(School of Humanities,Shanghai University of Finance and Economics,Shanghai 200433,China)

机构地区：[1]上海财经大学人文学院,上海200433

出　　处：《兰州文理学院学报（社会科学版）》2022年第4期40-43,共4页Journal of Lanzhou University of Arts and Science(Social Science Edition)

摘　　要：从《长安十二时辰》这一热门小说和影视剧的文本中,我们可以看出唐代的文化是满足“多元”“对等”“互动”格局的文化,更是尊重生命力和创造力的文化。这一文化的特性从华夷并举、三教并重、男女平等三个方面体现出来,共同显示中国传统文化的多样性特点。From the text of the popular novel and TV series The Longest Day in Chang’an,we can see that the culture of the Tang Dynasty not only fitted the pattern of diversity,equality and interactivity but also respected vitality and creativity.This cultural identity is reflected in three aspects,the coexistence of Chinese and foreigners,the coexistence of the three religions,and the equality of men and women,which together show the diversity of traditional Chinese culture.

关 键 词：《长安十二时辰》 文化格局 多元 对等 

分 类 号：B83-0[哲学宗教—美学]