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作 者:郑青云 谢朝[1] Zheng Qingyun;Xie Zhao
出 处:《家具与室内装饰》2022年第6期98-104,共7页Furniture & Interior Design
基 金:天津市艺术科学规划项目(E20014)。
摘 要:中式古典园林一直给人以“一步一景”的体验感,为了探究其感觉是如何在园林设计中通过视窗所营造出来的,就此本文以苏州拙政园为例,通过文征明所绘画的《拙政园三十一景图》对1553年的拙政园水景沿线进行还原。分析古典园林中水岸线的造景手法的要素,以曲率分布为切入角度探究园林水岸线的设计与山水画中的五字构图视窗法之间的关联,并结合现在拙政园中的水岸线曲率结构,分析出水岸线的设计与视框构图之间的规律。Chinese classical gardens have always given people the experience of "one step, one scene". In order to explore how the feeling is created through composition in the garden design, this article takes Suzhou Humble Administrator’s Garden as an example, and restores the waterscape of the Humble Administrator’s Garden in 1553 with the help of the Thirty-One Scenery of Humble Administrator’s Garden drawn by Wen Zhengming. This article analyzes the elements of the landscaping technique of the waterfront in classical gardens, and explores the relationship between the design of the waterfront of the garden and the five-character composition method in the landscape painting from the angle of curvature distribution. Combined with the current curvature structure of the waterfront in the Humble Administrator’s Garden, the law between the design of the waterfront and the composition of the visual frame is analyzed.
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