印度审美类型:基础、结构、特色  

Indian Aesthetic Types:Basis,Structure,Features

作　　者：张法 Zhang Fa(Collaborative Innovation Center for Multi-ethnic Culture Cohesion and Global Communication Co-constructed by Sichuan Province and Minister of Education,Sichuan University,Chengdu 610065,China)

机构地区：[1]四川大学中华多民族文化凝聚与全球传播省部共建协同创新中心,四川成都610065

出　　处：《郑州大学学报（哲学社会科学版）》2022年第1期70-75,127,共7页Journal of Zhengzhou University:Philosophy and Social Sciences Edition

摘　　要：印度审美类型由情、味、境构成。在与西方美学审美类型的美、悲、喜的比较中,印度审美类型的最大特点是呈现为以神为主而非以人为主的形象。神之美既可以以人出现,又可以以三头六臂的怪的形象出现。既可以以善相出现,还可以以恶相出现,但在性质上,印度美学不将之作为悲和喜,而是作为美。There are three basic constituents of Indian aesthetic types,including bhāva,vi s aya and rasa.A comparison of the beauty,tragicness and comedicness of Western aesthetic types with those of Indian aesthetic types reveals that the most salient feature of Indian aesthetic types is its God-centered rather than humankind-centered images.The beauty of gods can be rendered in images of humankind as well as in those of hideous monsters with superhuman powers.According to Indian aesthetics,the beauty of gods in both the beautiful and hideous images is considered as the beauty in nature instead of the tragicness and beauty respectively.

关 键 词：印度审美类型 情-味-境 美-悲-喜 神的多种美相 

分 类 号：B83-06[哲学宗教—美学]