“文体创造”的概念内涵与理论意义  

The Conceptual Connotation And Theoretical Significance of “Stylistic Creation”

作　　者：柳宏[1] 王恺 Liu Hong;Wang Kai(Yangzhou University)

机构地区：[1]扬州大学文学院

出　　处：《写作》2022年第3期52-57,共6页Writing

摘　　要：童庆炳所提出的“文体创造”,聚焦于作家创作实践中文体层面各要素的逻辑关系与发展过程,着重强调题材与形式内容之间的辩证关系。这种“创造”有别于“创新”,同时也与“文学创造”的内涵有一定差异。“文体创造”理论也注重作家心理层次的考察,不仅有助于文体学学科理论的完善,也为“心理文体学”的研究提供了一定参考。“Stylistic creation”proposed by Tong Qingbing focuses on the logical relationship and development process of various elements at the stylistic level in the writer’s creative practice,and emphasizes the dialectical relationship between subject matter and form and content.This kind of“creation”is different from“innovation”,and it is also different from the connotation of“literary creation”.“Stylistic creation”pays attention to the investigation of writers’psychological level,which not only contributes to the improvement of stylistic theory,but also provides a creation reference element for the research of“psychological stylistics”.

关 键 词：文体创造 文体创新 文学创造 心理文体学 

分 类 号：H315[语言文字—英语]