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作 者:张法 ZHANG Fa(School of Literature and Journalism,Sichuan University,Chengdu 610064,China)
机构地区:[1]四川大学文学与新闻学院,四川成都610064
出 处:《河北学刊》2022年第4期65-72,共8页Hebei Academic Journal
摘 要:从文艺复兴到19世纪,“美的艺术”在西方产生、演进、成型,艺术分类成为其中的重要主题。这一从中世纪艺术体系到现代性艺术体系的转型,是在对美的现代性追求中产生的,其艺术分类的演进历程经历了以瓦萨里为代表的“心创艺术”到18世纪巴托的“美的艺术”、再到19世纪黑格尔作为“美的艺术哲学”的美学的三段演进,最后在19世纪末由文学和戏剧的独立而完成。这一不同于前现代泛艺术的艺术分类体系,又对后来艺术分类体系及艺术观念在西方的新变产生了极其重要的影响。From the Renaissance to the 19 th century, the “art of beauty” came into being, evolved and shaped in the West. Art classification has become an important theme. This transformation from the medieval art system to the modern art system came into being in the pursuit of the modernity of beauty. The evolution of its art classification experienced three stages of evolution, from the “mind creating art” represented by Vasari to the “art of beauty” of Batteux in the 18 th century, and then to Hegel’s aesthetics as the “art philosophy of beauty” in the 19 th century. Finally, it was completed by the independence of literature and drama at the end of the 19 th century. This art classification system, different from the pre-modern pan art, has had an extremely important impact on the later art classification system and the new changes of art concepts in the West.
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