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作 者:郭昳欧 GUO Yiou(School of Architecture and Art,Central South University,Changsha 410083,China)
机构地区:[1]中南大学建筑与艺术学院,湖南长沙410083
出 处:《吉首大学学报(社会科学版)》2022年第3期151-160,共10页Journal of Jishou University(Social Sciences)
摘 要:身体是内联心灵、外通世界的媒介,亦是舞蹈艺术运用的形式与质料。舞蹈身体从生成逻辑、表达图式和对美的塑造三方面,通过“本质-方式-价值”的思维演进,展示出舞蹈艺术之终极“善”道。舞蹈身体的生成逻辑基于身体层次的窥视,一要以物质身体为实在呈现,二要将精神生活融入身体实践活动。通过身体再现、身体隐喻、身体间性与身心关系的四种表达图式,在舞蹈形象、动作形式、他者关系以及自我意识中,生成舞蹈艺术“肢体美”“概念美”“交互美”“状态美”的“四元”美学,目的是以艺术化身体促进人文生态的构建,旨在升华品格、净化人性。Body is the medium that connects the mind and the world,and it is also the form and material used in dance art.The dance body shows an ultimate"goodness"of dance art through the thinking evolution of"essence-way-value"in three aspects:the logic of generation,the pattern of expression and the shaping of beauty.The generative logic of the dance body is based on the observation of the body level,one of which is to present the material body as the real,and the other is to integrate the spiritual life into physical practice.Through the four expressions of body reproduction,body metaphor,inter-body nature and mind-body relationship,the"physical beauty","conceptual beauty","interactive beauty"and"self-consciousness"of dance art are generated in dance image,movement form,other relationship and self-consciousness,with the purpose to promote the construction of humanistic ecology with artistic body,sublimate character and purify humanity.
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