新时期中国工业版画的意境重构  

The Reconstruction of Artistic Conception of Chinese Industrial Printmaking in the New Era

作　　者：易阳[1,2,3] 张颖[4] Yi Yang;Zhang Ying(the Thematic Art Creation Institute,School of Fine Arts,Central China Normal University;the Society of Book Stamps of China Artists Association;Central China Normal University,Wuhan,Hu Bei,430079)

机构地区：[1]华中师范大学美术学院 [2]华中师范大学美术学院主题性美术创作研究中心 [3]中国美术家协会藏书票研究会 [4]华中师范大学图书馆,湖北武汉430079

出　　处：《民族艺术研究》2022年第3期90-96,共7页Ethnic Art Studies

基　　金：2018年度国家社科基金艺术学一般项目“新时期中国工业版画研究”(项目批准号:18BF104)的阶段性研究成果。

摘　　要：新时期中国工业版画的发展是伴随着中国工业化的发展而演进的。在20世纪八九十年代的工业版画中,以工人为主体的群体所创造的版画样式为主;在20世纪末至21世纪的前20年,因中国学院版画的兴起,转型期的中国工业版画群体结构开始发生改变,中国工业题材版画的创作语言也变得更为丰富和多元,这使得单一的现实主义版画风格转型为艺术与技术、艺术与科技等的创新融合。中国工业版画的创作风格虽然迥异,但始终围绕现代工业题材进行版画艺术与版画边界的延展,呈现出新颖、新潮、“意境再构”等的审美新意象,引起学界在版画学理上进行文脉梳理和重新研判。诚然,这种文化传承和创作形态的更新,是中国版画深谙传统绘画追求“意境”的逸格演进,成为版画集体以文化自觉体现当代中国文化自信的载体。“跨越边界”“意境多重性”“意境再构”等也成为新时代中国工业版画的重要审美品格。The development of Chinese industrial printmaking in the new era evolved along with the development of industrialization in China. In the 1980 s and 1990 s, the industrial printmaking style was dominated by the ones created by the workers. In the late 20;century and the first two decades of the 21;century, due to the rise of Chinese institutional printmaking, several changes can be seen: the structure of the Chinese industrial printmaking group in the transitional period began to change, and the language of the creation of Chinese industrial printmaking became richer and more diverse, which transformed the single realist printmaking style into an innovative fusion of art and technology, as well as art and science. Although the creative styles of Chinese industrial printmaking are very diversified, they always extend the art and boundaries of printmaking art, focusing on modern industrial themes and presenting a new aesthetic image of novelty, new trends, and “reconstruction of artistic conception”, These trends have caused the academic community to examine the cultural lineage and rethink the printmaking theory. It is true that this cultural inheritance and renewal of creative forms is the evolution of Chinese printmaking which can understand deeply the traditional pursuit of “artistic conception” in traditional painting so that it has become a carrier for the community of printmaking to reflect contemporary Chinese cultural confidence through cultural self-awareness. “Crossing boundaries”, “multiple artistic conceptions” and “reconstruction of artistic conception” have also become important aesthetic characteristics of Chinese industrial printmaking in the new era.

关 键 词：新时期 中国工业版画 文化自信 意境重构 创作研究 

分 类 号：J209.2[艺术—美术]