民族民间舞蹈的多元一体发展格局——以云南德宏民族民间舞蹈为个案研究  

The Development Pattern of the Unity of Diversity of Ethnic and Folk Dance:Taking Ethnic and Folk Dance in Dehong Dai and Jingpo Autonomous Prefecture, Yunnan as Example

作　　者：徐梅[1] Xu Mei(the School of Dance,Yunnan University of Arts,Kunming,Yunnan,650500)

机构地区：[1]云南艺术学院舞蹈学院,云南昆明650500

出　　处：《民族艺术研究》2022年第3期137-144,共8页Ethnic Art Studies

基　　金：2020年度国家社科基金艺术学一般项目“滇缅跨境民族民间舞蹈在‘一带一路’建设中的功能与价值研究”(项目批准号:20BE073)的阶段性研究成果。

摘　　要：民族民间舞蹈作为民族民间文化的典型艺术形式之一,具有传统文化的共性特质和区域文化的个性特征。以云南德宏民族民间舞蹈为个案研究,其立于传统和现实中历经数百年演变发展,形成了民族民间舞蹈文化的共融性、共情性、共赢性的多元一体发展格局。共融性为舞蹈发展之前提,共情性是舞蹈表达之本质,共赢性是舞蹈文化发展之最终目的。三者联系密切,不可分割,共同作用于民族民间舞蹈文化所应具备的功能与价值。As one of the typical art forms of ethnic and folk culture, ethnic and folk dance is of common characteristics of traditional culture and specific characteristics of regional culture. The ethnic and folk dance in Dehong Dai and Jingpo Autonomous Prefecture, Yunnan experienced hundreds of years of tradition and reality before it forms a development pattern of diversity in unity, which is characterized of fusion, empathy, and win-win result. Fusion is a pre-condition of the development of dance, empathy is the essence of dance expression, and win-win result is the ultimate goal of the cultural development of dance. These three parts are inter-connected and cannot be separated, which means that they work together to enhance the function and value of the culture of ethnic and folk dance.

关 键 词：民族民间舞蹈 多元一体 云南德宏 共融性 共情性 共赢性 

分 类 号：J722.2[艺术—舞蹈]