场域理论视域下的韩国文艺期刊流变史  

The History of Korean Literature and Art Periodicals from the Perspective of Field Theory

作　　者：崔昌竻[1] 王孟青 Cui Changle;Wang Mengqing(Nanjing University,Nanjing,210023)

机构地区：[1]南京大学外国语学院,南京210023

出　　处：《东疆学刊》2022年第2期91-98,128,共9页Dongjiang Journal

摘　　要：文艺期刊作为文学的现代性物质载体,在文学介入公共领域、文坛的形成和发展、文学制度的确立、作家队伍的挖掘和凝聚等多个方面起到了举足轻重的作用。在复杂多变的现当代进程中,韩国的文艺期刊不仅表现出强大的社会影响力和顽强的生命力,其流变更是折射出韩国文学乃至整个社会力量在历史进程中的空间位移。依据布迪厄的场域理论,可从政治场、文学场、经济场等多个场域相互交错与博弈的历史空间中,探索韩国的文艺期刊自身的立足点、发展轨迹及其本土特征。As the modern material carrier of literature,literary journals play a pivotal role in many aspects,such as the involvement of literature in the public sphere,the formation and development of the literary circle,the establishment of the literary system,and the discovery and cohesion of writers.In the complicated modern society,Korean literature and art periodicals not only show strong social influence and robust vitality but also reflect the spatial displacement of Korean literature and even the entire social force in the historical process.According to Bourdieu’s field theory,from the historical space where political field,literary field,economic field and other fields are intertwined and interacted,the foothold,development trajectory and local characteristics of Korean literary and art periodicals are explored.

关 键 词：场域理论 韩国文艺期刊 文学场 流变史 

分 类 号：I312.07[文学—其他各国文学]