试论张爱玲和杜拉斯笔下的“异国形象”  

On Transnational Sadomasochism in the works of Eileen Chang and Marguerite Duras

作　　者：任梦梦 任强[1] REN Mengmeng;REN Qiang(Huaibei Normal University, Huaibei 235000, China)

机构地区：[1]淮北师范大学文学院,安徽淮北235000

出　　处：《皖西学院学报》2022年第3期87-91,132,共6页Journal of West Anhui University

基　　金：安徽省高等学校质量工程项目(2020zyrc141);淮北师范大学专业研究生实践基地项目(2020xysjjd003)的阶段性成果。

摘　　要：张爱玲的代表作《沉香屑·第二炉香》成功地塑造了罗杰这一“异国形象”,他的命运却因情爱认知缺失和流言的危害而走向尽头。玛格丽特·杜拉斯创作的《情人》这部中篇小说,向我们展示了现代法国社会男女对情爱的感悟和反思,折射出西方世界感情生活的不同侧面,华裔少年“情人”的命运也因国界等问题而发生改变。将这两个“异国形象”进行比较研究,探讨他们不同的性格特点和相同的爱情悲剧,挖掘不同地域女性作家带给读者的情爱、国别等问题的思考,能够带给我们现代性启示。Eileen Chang's masterpiece,The Second Stove Incense,successfully created Roger,an“exotic image”,but his fate came to an end due to the lack of sex education and the harm of gossip.The novella Lovers by Margaret Duras shows us the feelings and reflections of men and women on sex in modern French society,reflecting the different aspects of emotional life in the Western world,and the fate of the Chinese teenager“Chinese lover”also changes due to the racial issue.This paper makes a comparative study of these two“exotic images”,discusses their different personality characteristics and the same love tragedy,and explores the reflection of sex,gossip,race and modernity enlightenment brought to readers by female writers from different regions.

关 键 词：《第二炉香》 《情人》 异国形象 个性鲜明 悲剧命运 现代启示 

分 类 号：I207.42[文学—中国文学]