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作 者:刘淼 LIU Miao(Editorial Department,Luoyang Normal University,Luoyang 471934,Henan,China)
机构地区:[1]洛阳师范学院学报编辑部,河南洛阳471934
出 处:《咸阳师范学院学报》2022年第3期101-104,共4页Journal of Xianyang Normal University
基 金:国家社会科学培育基金项目(2019-PYJJ-016)。
摘 要:以生态视角为切入点,将柳宗元的山水诗文置于所处的“生态环境”中予以关照,从人与社会、人与自然的生态关系考察其作品中隐含的生态美学意蕴。柳宗元所处环境的政治生态失衡、社会关系失洽,使其躲进文学的“象牙塔”中寻求精神慰藉,借助自然山水抒发心中积怨,在人与自然和谐共处的生态关系中构建人性生态之平衡。There are many achievements in the study of Liu Zongyuan’s landscape poems in academic circles, but few people interpret them from an ecological perspective. Taking the ecological perspective as the breakthrough point, the author of this paper focuses on Liu Zongyuan’s landscape poems in the“ecological environment”, and examines the ecological aesthetic implication in his works from the ecological relationship between man and society, man and nature. Liu Zongyuan’s environment is out of balance in political ecology and social relations, which makes him secluded in the“ivory tower”of literature, seek spiritual comfort, express his grievances with the help of natural landscapes,and construct the balance of human nature ecology from the ecological relationship of harmonious coexistence between man and nature.
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