浅析中西方风景画构图的差异性  

A Brief Analysis of the Differences of Chinese and Western Landscape Composition

作　　者：罗江玫[1] 李双艳 Luo Jiangmei;Li Shuangyan(Chongqing Normal University,Chongqing 401331,China)

机构地区：[1]重庆师范大学,重庆401331

出　　处：《艺术与设计（理论版）》2022年第7期111-113,共3页Art and Design

摘　　要：构图在绘画创作中不仅是画家创作意图的重要手段,更是决定一幅作品最终成败的重要因素之一。中西方绘画构图经过几千年来的发展有着各自的特点,不同的文化背景以及艺术见解导致在绘画构图方面具有差异性,这种差异性促使着绘画不断地向前变化与发展形成当今丰富多彩的绘画构图种类。文章旨在根据中国山水画与西方风景画作品的不同构图方式进行比较分析,从而探析这种差异性的根源并且总结出中西方风景画创作的不同与共通性。Composition in painting creation is not only an important means of the painter’s creation intention, but also one of the important factors to determine the final success or failure of a work.Chinese and Western painting composition after thousands of years of development has its own characteristics, different cultural background and artistic insights lead to differences in painting composition, this difference prompted the painting constantly change and development to form colorful painting composition, this paper aims to Chinese landscape painting and Western landscape works different composition analysis, so as to explore the root of the difference and summed up the Chinese and Western landscape painting is different and common.

关 键 词：中国山水画 西方风景画 构图 差异 

分 类 号：J05[艺术—艺术理论]