审美类型的中西印比较及其意义  

Comparison of Aesthetic Types in China,the West and India and Its Significance

作　　者：张法 ZHANG Fa

机构地区：[1]四川大学文学与新闻学院,成都610065

出　　处：《求是学刊》2022年第3期153-160,共8页Seeking Truth

摘　　要：中西印的审美类型,在表达的总术语上不同:西方为范畴,中国用品流,印度名情味。在宇宙结构和具体分类上不同:西方的审美类型,在已知未知的二分世界中形成美、悲、喜的对立三分;中国的审美类型,在天人合一的宇宙中形成以美为主的壮美、优美、典雅、俗妙四分;印度的审美类型,乃是在空幻结构基础上的以神为中心的美,具体为壮美、优美、神力怪美的三分。The aesthetic types differ in the general terminology of expression, such as the category in the West, the stream in China and the taste in India. There are differences in the structure and classification of the universe. The Western aesthetic type forms a dichotomy of beauty, sadness and joy in the known and unknown world;the Chinese aesthetic type forms a beauty-based universe with four divisions of magnificent, beautiful,elegant and mundane;the Indian aesthetic type is a God-centered beauty based on the structure of empty illusion, specifically the three divisions of magnificent beauty, graceful beauty and strange beauty.

关 键 词：审美类型 宇宙模式 中西印类型 

分 类 号：J292.4[艺术—美术]