历史语境中的早期踏板记号:钢琴延音踏板记谱的早期历史与含义解读  

Pedaling Signs in Piano Scores:Early History and Modern Interpretation

作　　者：周全 金秋 Danny ZHOU;JIN Qiu

机构地区：[1]中央音乐学院,北京100031 [2]上海杨浦区打虎山路第一小学,上海200092

出　　处：《音乐艺术（上海音乐学院学报）》2022年第1期168-179,共12页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：延音踏板的使用是钢琴演奏中重要且普遍应用的技巧,但对乐谱中踏板记号的研究却非常有限。踏板最早的记谱出现于18世纪90年代,随后不断演变,至19世纪20年代才出现较统一的记谱方式。诚然,踏板记号无法准确标记踏板的实际运用,只能够模糊地记录作曲家想要表达的音乐效果,演奏者需要以历史语境为依据,在演奏中对踏板记号的含义进行诠释。This article explores the early history of piano pedaling signs by examining manuscripts and first editions of piano scores from the late 18th and early 19th centuries.It is found that the earliest pedal markings appeared in the 1790s.They gradually transformed into the signs with which we are familiar nowadays in the 1820s.The meanings of early pedal signs are elusive.The authors suggest that they should be conceived of as expressive markings rather than indications of foot movements.

关 键 词：钢琴 踏板 记谱 乐谱 诠释 表演 西方音乐史 

分 类 号：J609.1[艺术—音乐]