文化遗产虚拟场景维度设计与评价——以动态版《清明上河图》为例  

Dimensional Design and Evaluation of Virtual Scenes for Cultural Heritage:a Case Study of Dynamic Version of“Riverside Scene at Qingming Festival”

作　　者：陈波[1] 巢雪薇 CHEN Bo;CHAO Xue-wei

机构地区：[1]武汉大学国家文化产业研究院,湖北武汉430072

出　　处：《中南民族大学学报（人文社会科学版）》2022年第7期74-82,184,共10页Journal of South-Central Minzu University (Humanities and Social Sciences)

基　　金：国家社会科学基金艺术学重大项目“促进文化和旅游融合政策创新研究”(20ZD01)。

摘　　要：让“文物活起来”是传承保护好文化遗产、扩大中华文化国际影响力的重要举措。加强文化遗产的保护与利用,充分体现文化遗产的历史、文化价值,能有效促进社会主义精神文明建设更高历史底蕴和人文内涵。随着文化科技不断进步,文化遗产的数字化成为“文物活起来”的重要实践手段。同时,文化遗产与科技结合过程中如何更好呈现文化内核价值成为学界研究重要理论热点。基于场景理论分析方法,提出文化遗产的虚拟场景价值维度,并以上海中华文化宫中多媒体版《清明上河图》为例,对文化遗产虚拟场景进行设计与评价,为文化遗产与科技结合的价值提升提供一定理论支持。Making“cultural relics alive”is a crucial step for inheriting and protecting cultural heritage and expanding Chinese culture’s international influence.Strengthening the protection and utilization of cultural heritage and displaying their historical and cultural value contributes to the construction of socialist spiritual civilization.With the continuous progress of cultural technology,the digitization of cultural heritage has become an essential means of practice for"bringing cultural relics to life".Meanwhile,in the process of combining cultural heritage with science and technology,how to better present the core value of culture has become an essential theoretical focus of academic research.Based on the analysis method of scene theory,this paper proposes the value dimension of the virtual scene of cultural heritage.Furthermore,taking the multimedia version of“Riverside Scene at Qingming Festival”in Shanghai Chinese Culture Palace as an example,this paper designs and evaluates the virtual scene of cultural heritage,which provides certain theoretical support for the combination of cultural heritage and science and technology.

关 键 词：文化遗产 场景理论 虚拟场景 清明上河图 

分 类 号：C95[社会学—民族学]