灾害何以进入文学视野:论灾害文学的产生与影响  

Why Disasters Enter the Literary Vision:Occurrence and Influence of Disaster Literature

作　　者：檀晶 TAN Jing(School of International Education,Ludong University,Yantai 264039,China)

机构地区：[1]鲁东大学国际教育学院,山东烟台264039

出　　处：《鲁东大学学报（哲学社会科学版）》2022年第4期45-51,共7页Ludong University Journal:Philosophy and Social Sciences Edition

基　　金：山东省社会科学规划研究项目“中国古代灾害文学研究”(12cwxj12)。

摘　　要：灾害之所以能够进入文学视野,就文学作为一种活动系统而言,灾害符合了文学书写所必备的世界、作者、作品和读者四个要素;另一方面,灾害自身的特性所带来的悲剧性为中国文学创作带来很大影响。其影响主要表现在以下几个方面:形成了历代中国文人创作的指导思想;在题材、艺术表现和风格等方面丰富了中国文学的创作;在民族性格作用下形成的独具中国特色的“乐感文学”,在为后世灾害救治提供可资借鉴的途径与方法的同时,起到了“文史互证”的作用。在此背景下,灾害成为文学书写的对象,文学也成就了灾害的历史感性表现。The reasons why disasters can enter the literary vision are that for one thing,in view of literature being an activity system,disasters conform to the four factors necessary for literary writing:world,author,works and readers;for another,the tragedy brought about by the disasters'characteristics has a great influence on Chinese literary creation.The influences are mainly shown in the following aspects:forming the guiding ideology of Chinese literati's creation in the past dynasties,enriching the creation of Chinese literature in terms of theme,artistic expression and style,etc.,a formed unique“happiness sense literature”with Chinese characteristics under the action of national character providing reference ways and methods for disaster treatment and cure in future generations,and playing the role of“mutual verification of literature and history”.In this context,disasters have become the object of literary writing,and literature has also achieved the historical perceptual expression of disasters.

关 键 词：灾害 文学视野 灾害文学 影响 

分 类 号：I207.42[文学—中国文学]