从尝试到范式:编年体戏曲史著刍议--兼评程华平《明清传奇杂剧编年史》  

From Attempt to Paradigm:On Chronicle of Xiqu and Cheng Huaping’s Chronicle of Chuanqi and Zaju in the Ming and Qing Dynasties

作　　者：刘召明 徐钰雯 LIU Zhaoming;XU Yuwen

机构地区：[1]浙江越秀外国语学院中国语言文化学院

出　　处：《戏剧艺术》2022年第2期177-182,共6页Theatre Arts

基　　金：国家社科基金重大项目“杂剧古今演变史及历代杂剧文献汇释”(19ZDA259)阶段性成果。

摘　　要：20世纪90年代中期以来,以编年的形式演述中国戏曲史的发展历程,客观展示戏曲发展的实际情形,逐渐成为戏曲史书写的一种新范式。这种戏曲史研究范式在观念、方法、内容、价值、体例等方面展示了一种全新的学术理念:既立足大戏剧的观念,又以庞大的文献作为研究工作的支撑。编年体戏曲史著不仅体例与章节体迥然不同,而且内容客观丰富,兼具史料性与工具性。其中程华平《明清传奇杂剧编年史》作为迄今体系最宏大、内容最丰富的编年体戏曲史著,堪称此类述史范式的最新标志性成果。Since the mid-1990 s,it has gradually become a new paradigm for the writing of Chinese Xiqu history to narrate the development of Xiqu in the form of chronology and objectively show the actual situation of its development.This paradigm of Xiqu history research shows a brand-new academic idea in concept,method,content,value and style,which is based on the concept of grand theatre and supported by huge amount of literature.The chronicle of Xiqu is not only quite different from the chapter-style,but also objective and rich in content,which makes it both historical and instrumental.Cheng Huaping’s Chronicle of Chuanqi and Zaju in the Ming and Qing Dynasties is the most ambitious and the richest among the chronicles of Xiqu,which is taken as the latest landmark achievement of this kind of historical paradigm.

关 键 词：戏曲史 编年体 范式 明清传奇杂剧编年史 

分 类 号：J80[艺术—戏剧戏曲]