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机构地区:[1]江苏第二师范学院美术学院 [2]南京传媒学院
出 处:《美术》2022年第7期88-95,共8页Art Magazine
基 金:2020年度江苏高校哲学社会科学研究重大项目“20世纪前期中国留日与留欧美术观念接受与转型比较研究”(项目编号:2020SJZDA030)的研究成果。
摘 要:曾一橹是一位长期被遮蔽的早期留法美术生。他早年与毛泽东是湖南一师的同学,同为青年进步组织“新民学会”的首批成员。在法国勤工俭学期间积极投身海外艺术运动,回国后相继在武汉、北京、南京等地从事美术教育和艺术创作,1949年后淡出公众视野。曾一橹的革命活动、美术教育历程及创作实践构成了现代美术史上一个独特样本,对于探讨20世纪早期留法美术生艺术观念和人生轨迹的转变具有重要意义。Zeng Yilu was an early art student studying in France,who has long been veiled.In his early years,he was a classmate of Mao Zedong at Hunan First Normal University;Zeng and Mao were also members of Xinmin Society a progress organization for the young.During his work-study program in France,Zeng actively participated in an overseas art campaign.After returning to China,he got engaged in art education and art creation successively in Wuhan,Beijing,Nanjing and other places,and got out of sight after 1949.Zeng Yilu's revolutionary activities,art education process and creative practices constitute a unique sample in modern art history.They are of great significance for discussing the change of artistic concept and course of life of Chinese art students studying in France in the early 20th century.
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