修复与想象:《南京日报》里的“民国镜像”(2000—2019)  

"Restoration" and "Magination": The "Image of Republic of China" in Nanjing Daily(2000-2019)

作　　者：陈呈 何志武[1] CHEN Cheng;HE Zhi-wu

机构地区：[1]华中科技大学新闻与信息传播学院,湖北武汉430074

出　　处：《新闻大学》2022年第3期45-60,118,119,共18页Journalism Research

基　　金：中央高校基本科研业务费资助课题华中科技大学人文社会科学自主创新重大及交叉项目(2020WKZDJC009)的阶段性成果。

摘　　要：在“民国热”的时代怀旧思潮之下地方主流媒体是如何建构民国记忆的,这是文章探讨的起点。文章运用质化研究方法,再现了21世纪以来20年间《南京日报》关于民国记忆的两种叙事逻辑:“修复”与“想象”。前者是意识形态化的官方话语,后者是审美化的历史叙事。国家、市场和文化等结构性力量的相互作用为地方媒体的民国记忆生产提供了多重话语空间,并最终生成了上述两种叙事模式。The starting point of this article is how the localized mainstream media constructs the memory of Republic of China under the background of " Yearning for Republic of China". Using qualitative research methods, the analysis shows that "political restoration" and "poetic imagination" constitute the two narrative structures of the memory of Republic of China in the "Nanjing Daily" in the 20 years since the new century. The former is an ideological official narrative, while the latter is an aesthetic historical narrative. Interaction of structural forces such as state, market and culture provides multi-discourse spaces for the news media to produce memories of Republic of China, and finally generated the two narrative structures mentioned above.

关 键 词：民国时期 集体记忆 新闻生产 新制度主义 

分 类 号：G210[文化科学—新闻学]