当代日本华人作家的中国城市书写与身份认同  

City Narratives and Chinese Identity in the Works of Zainichi-overseas Chinese Writers in Japan

作　　者：陈晨 Chen Chen(Shanghai Normal Univercity)

机构地区：[1]上海师范大学外国语学院日语系

出　　处：《日语学习与研究》2022年第3期119-127,共9页Journal of Japanese Language Study and Research

基　　金：2019年度上海市哲学社会科学规划课题(青年课题)“当代日华文学认同与重构‘中国故事’叙事研究”(课题批准号:2019EWY013)的阶段研究成果,项目主持人:陈晨。

摘　　要：进入新世纪以来,华人作家相继获得日本主流文学奖项,这意味着当代日本华人文学的真正崛起。其中,城市作为一个重要的书写对象,不仅是构成作家作品中文学事件发生的场景,也是海外读者阅读中国文化/华人故事时的重要审美对象。文章从历时与共时的角度追溯新世纪前后30年的日华文学史,选取多位代际不同的华人作家及作品,考察其中国城市的书写方式、城市意象的呈现形态。特别是探讨城市书写中的中国认同的普遍性与独特性。如此细致探讨文学文本的空间形式与身份认同的关系在相关领域当中少有人尝试,能够为世界华人文学研究开辟新的考察路径与理论视域。Since the beginning of the new century,Chinese writers have successively won awards for Japanese mainstream literature,which means the real rise of contemporary Japanese Chinese literature.Among them,as an important writing object,city is not only the scene of Chinese events in writers’ works,but also an important aesthetic object for overseas readers to read Chinese/Chinese stories.This paper traces the history of Japanese and Chinese literature in the past 30 years before and after the new century from a diachronic and synchronic perspective,selects a number of Chinese writers and works from different generations,and investigates their writing methods for Chinese cities and the presentation forms of urban images.In particular,it discusses the universality and uniqueness of Chinese identity in urban writing.A careful study of the relationship between the spatial form of literary texts and identity have rarely been attempted in related fields,and it can open up a new investigation path and theoretical horizon for the study of Chinese literature in the world.

关 键 词：日本华人作家 城市书写 身份认同 东山彰良 李琴峰 

分 类 号：I313.06[文学—其他各国文学]