中国古典诗词中鹿意象的道家思想渊源探析  

Taoism as the Origin of Deer Images in Classical Chinese Poetry

作　　者：薛睿[1] 郭莎 XUE Rui;GUO Sha(School of Foreign Languages,Wuhan University of Technology,Wuhan 430070,China)

机构地区：[1]武汉理工大学外国语学院,湖北武汉430070

出　　处：《海南大学学报（人文社会科学版）》2022年第4期144-149,共6页Journal of Hainan University （Humanities & Social Sciences）

基　　金：国家社会科学基金项目(20BYY014)。

摘　　要：道家思想,是中国哲学思想的重要来源,在中国传统文化中独具特色,对探究现当代人与自然、人与社会、人与国家之间的关系仍有一定的指导和借鉴价值。本文以道家思想为出发点,通过分析中国古典诗词中的鹿意象,揭示鹿意象中所映射出的无为自然、静虚出世、天道不争等道家思想内核。该研究试图厘清中国古典诗词中不同形式的鹿意象与道家思想之间的关联以及两者之间的张力,为进一步解读和挖掘道家思想对中国古典诗词的深远影响,弘扬中国传统文化提供一个新的视角。As an indispensable and significant source of Chinese philosophy, Taoism is unique in traditional Chinese culture, which has certain enlightenment and guidance for exploring the relationship between human and nature, human and society, as well as human and nation in the contemporary era. Starting from Taoism,this paper analyzes the deer images in classical Chinese poetry, and reveals the cores of Taoism implicated in them, namely, inactive naturalness, void reclusion, as well as way of heaven without contention. While attempting to clarify the connection and tension between the distinct images of the deer and Taoism in classical Chinese poetry, it provides a new perspective for further interpreting and exploring the profound influence of Taoism on classical Chinese poetry, and promoting the traditional Chinese culture.

关 键 词：中国古典诗词 鹿意象 道家思想 

分 类 号：I206.2[文学—中国文学]