“孤独的人”:武田泰淳的鲁迅言说及其文学接受  

Lonely Person:TAKEDA Taijun and Lu Xun

作　　者：王俊文 Wang Junwen(Graduate School of Humanities and Sociology,the University of Tokyo,Tokyo 1130033,Japa)

机构地区：[1]东京大学大学院人文社会系研究科,日本东京1130033

出　　处：《长江学术》2022年第3期79-94,共16页Yangtze River Academic

摘　　要：日本“战后文学”的代表作家武田泰淳对鲁迅的理解与其好友、对日本鲁迅研究起着决定性影响的竹内好相比并不逊色。武田泰淳这方面的小说和对谈等体现了其鲁迅论的总体特征。而泰淳文学中“弱男”/“强女”这一基本构图,以及小说《无声的男子》和《秋风秋雨愁煞人秋瑾女士传》中的“孤独观”,呈现了武田泰淳对鲁迅的文学接受中融合了存在主义意义上的孤独观以及与忍受被所爱对象背叛的宿命进行“绝望之抗战”的面向。This article is about reconsidering Lu Xun from TAKEDA Taijun,who is a representative writer of Post-war Japanese Literature.Taijun can be regarded as excellent in Lu Xun criticism as TAKEUTI Yosimi,who had overwhelming influence on Japanese Lu Xun scholars.This article will discuss how TAKEDA Taijun’ s novels and talks such as Noiseless Man,Autumn Breeze and The Biography of Lady Qiujin are interwoven with his general understanding of Luxun and somewhat existentialism which have inspired him to construct structural plot of weak man vs strong woman,and develop the theme of loneness and struggling against despair.

关 键 词：武田泰淳 竹内好 鲁迅 日本战后文学 

分 类 号：I313.074[文学—其他各国文学] I210.97