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作 者:史哲文 Shi Zhewen
机构地区:[1]安徽省社会科学院文学研究所,安徽合肥230051
出 处:《中州学刊》2022年第7期149-156,共8页Academic Journal of Zhongzhou
基 金:安徽省社会科学创新发展研究课题攻关研究项目“诗史互动视角下安徽清诗总集考证及研究”(2020CX123)。
摘 要:清诗总集从尊崇诗教观念、效仿采诗行为、认同删诗方法等方面,反复追索《诗经》传统并将其作为取法的范本,成为一种普遍而典型的文学现象。清诗总集上溯《诗经》的编纂理念,与清代诗经学的“雅正”审美价值取向有重要关系。清人否定晚明思潮重回经典,为了服务政治需求而树立经典。在学术纷争背景下,他们通过追慕经典传达折中会通的学术思想。面对西学的冲击,传统文人试图依赖经典进行抗争与自我救赎。这种现象体现出清诗总集从“经”到“诗”的编纂思维,蕴含着立言“不朽”的经典化意图。这种编纂思维与经典化意图反映了清代学术融合背景下文体之间的渗透,弱化了清诗艺术的多元性,间接促进了清诗叙事性的凸显,同时也彰显了清人对自身诗学成绩的认同心态。The collections of poems in the Qing Dynasty have repeatedly traced the tradition of the Book of Songs and became a common and typical literary phenomenon from the aspects of respecting the concept of poetry teaching,imitating the behavior of collecting poems,and identifying the method of deleting poems.The compilation idea of the Qing poetry anthology,which traced back to the Book of Songs,had an important relationship with the"elegant"aesthetic value orientation of the study of the Book of Songs in the Qing Dynasty.People in the Qing Dynasty denied the trend of thought in the late Ming Dynasty return to the classics,while they established classics in order to serve the political needs.They pursued the classics to express the compromise of literary and academic thoughts under the background of academic disputes.What is more,when facing the situation of Western studies impacting Chinese studies,traditional literati relied on the efforts made by classics to fight and save themselves.This phenomenon reflected the compilation thinking of the Qing poetry anthology from"Scripture"to"Poetry",and contained the classic intention of"Immortality".This reflected the infiltration between styles under the background of academic integration in the Qing Dynasty,weakened the diversity of the artistry of the Qing poetry,indirectly promoted the prominence of the narrativity of the Qing poetry,and also highlighted the mentality of the Qing people identifying with their poetic achievements.
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