福建泉州古城文化规划的田野考察及其文化遗产艺术生态研究  

The field investigation on the cultural planning of Quanzhou ancient city in Fujian Province and a study on artistic ecology of its cultural heritage

作　　者：王侃[1] 俞坚[1] 吴美纯 Wangkan;Yujian;Wumeichun(China Academy of Art,Hangzhou 310000)

机构地区：[1]中国美术学院,浙江杭州310002

出　　处：《内蒙古艺术学院学报》2022年第2期31-41,共11页Journal of Inner Mongolia Arts University

基　　金：2018年度国家社科基金艺术学重大项目“东方设计学理论建构研究”(项目编号:18ZD19)的系列研究成果;中国美术学院横向课题“泉州古城文化规划编制(三)-古城文化振兴的发展定位与导向性策略研究”(项目编号:H20190017)的阶段性研究成果。

摘　　要：“申遗”成功后的泉州古城,发展仍需应对多元人群的多种需求。这个多元人群构建了一个空间上共存的艺术生态。泉州古城的文化振兴以文化遗产为基底,以艺术生态为抓手,在多元共创的理念下进行,需要在定位和理念上形成一种发展共识。这无疑是一个复杂的各方协调过程。古城在处理这一“共生”“共创”“振兴”的过程中,需小心翼翼,因为珍贵的“生活世界”,一旦消逝就不会再来。满怀精英感和自以为是的改造,可能使这种原本深厚的历史场景变成“浅盘化”的文化调味品。After the successful application for the world heritage,the development of the ancient city of Quanzhou still needs to deal with the various needs of diverse groups.This diverse group constructs an artistic ecology of spatial coexistence.The cultural revitalization of the ancient city of Quanzhou takes cultural heritage as the base,art ecology as the handle,and is carried out under the concept of pluralistic co creation.It is necessary to form a development consensus on positioning and concept.Undoubtedly this is a complex process of coordination among all parties.The ancient city needs to be careful in dealing with this"symbiosis","co creation"and"revitalization",because once the precious"life world"disappears,it will not come back.The transformation full of elitism and self righteous may turn this originally profound historical scene into"The Shallows"of cultural condiment.

关 键 词：文化规划 田野考察 文化遗产 艺术生态 生活世界 

分 类 号：G122[文化科学]